Forster’s use of liberal colonials is an important
technique in both merging and then shearing apart any bond between the English
and the Indian figure. He not only forms the two distinguishable groups of
Indians and their Anglo-Indian rulers, but also makes use of the liberal
colonials, constituting Mrs. Moore, Adela Quested and Mr. Fielding. The
brilliance in his technique stems from the fact that despite this group being
identified as a separate body, within itself there is little common
ground beyond the desire to accept Indians/India for themselves rather than as colonized
subjects. Here we find the solitary figure of Dr. Aziz as the sole personified connection between the three liberal colonizers.
From my perspective, these three characters initially play
to certain facets of Aziz’s psyche; Mr. Fielding the irrepressible id that
brings Aziz “endless joy” as he claims “I must have you”; Adela the voice of
the ego, constant in her questions and rational honesty; Mrs. Moore the
superego, the voice of morality and spirituality (as they shared in the mosque) who
is “perfect as always.” United at Aziz’s tea party, they induce in him such a balance that he is not simply on top of the world, “feeling
like the Emperor Babur” around the ladies, but is simultaneously humbled by the sheer
gratitude he feels towards Mr. Fielding. Forster essentially uses these figures as apparent catalysts for unity in
India (with erratic Aziz representing divided, ‘erratic’ India) wherein this
unity brings within India the effervescent glow and rise, symbolized by Aziz’s “flight”
on his “wings” from the life they jointly infused in him.
These three figures, it seems, initially represent what
Forster desires in the English and Anglo-Indian; the ability to see the native as
an equal and individual rather than as one of the subjugated masses. Yet this
desire for individuality has seeped into themselves such that they cannot feel
united as a group with shared beliefs; Aziz “expected them to love each other.
They didn’t want to.”
This unity is desired, but withers before its advent,
as we see them accidentally split apart in their journey to the caves; this split
is crucial, for it ultimately leads to a figurative rape of them all; a split
from innocent hope they once shared. Mrs. Moore becomes submerged in
apathy, Adela is ‘ruined,’ Mr. Fielding begins to doubt the once-cherished Indians;
Aziz finds “his wings broken” ; himself imprisoned; no longer “a Mogul Emperor who had
done his duty.”
Each facet of the psyche by itself could destroy a person,
and so is the case with Aziz. His psyche no longer whole, India is abandoned of
the notion that liberal colonizers could save it. For Forster, the liberal colonizer
is a failed figure in uniting or ‘freeing’ India— far from it, these figures
only seem to subjugate India further. Each facet abandons this former role (Mrs.
Moore literally departs India), and Aziz is left to claim no friendship is
possible until India itself is set free of English shackles.
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