Monday, 3 February 2014

Instruments of Exile: Modernity, Reform, and Cultural Assimilation

Keeping in mind the context in which Ibn-ul-Vaqt goes through his transformation, being of the upper class in a colonized country where the power has shifted from his community to the new incomers, I think we can say that a major instrument of exile for him was what we would today term cultural assimilation, in the guise of reform. As the balance of power is in the hand of the colonizers and as they call their ways “civilized” and “modern” it automatically relegates the ways of the colonized as “uncivilized” and “backward”. We see that Ibn-ul-Vaqt absorbs this message much before any of his fellow Indians do (“It was not a secret that in his view that the very fact a nation had an empire to rule was clear proof of the superiority of its customs and ceremonies, its habits and thoughts, and words and deeds, that is, all the conditions collectively if not individually.”) and that, perhaps, may be his tragedy. In retrospect we can see the effects of colonization, and later modern day imperialism, which contributed to the subcontinent’s English school systems and adaptation of “western” clothing—all of which constitute what Ibn-ul-Vaqt is vilified for and what, at the end of the day, make him an outsider and a sort of “exile” within his own homeland.


Cultural assimilation in its very nature is a product of power relations, such as the relation exemplified between Mr. Noble and Ibn-ul-Vaqt, and assimilation is in fact an admission of lack of power but for Ibn-ul-Vaqt this admission is excused away when assimilation is instead called reform—because he convinces himself that he’s going to lead his community forward toward some abstract concept of “modernity” he overlooks the erasure of the self that is such an integral part of his “transformation”. I say erasure of the self because this assimilation consumes such visible, integral, and intimate things that constitute, and communities and persons use to express, identity. Here Ibn-ul-Vaqt is eating food he does not much like, clothes that he has never before worn in his life, living in a manner neither familiar nor affordable to him and all for what? Because in the end, for Ibn-ul-Vaqt, his native lifestyle is alienating because of its “inferiority” and the English life style is alienating because of its literal alien-ness. I know that by the end of this book you’re supposed to feel a certain contempt or disdain at Ibn-ul-Vaqt and while that may exist there is also a sadness at the idea that the food you eat, the clothes you wear, the very home that you live in, that all these intimate aspects of a person’s life could be turned on their heads and used as instruments of exile rather than providing comfort and belonging. 

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