Saturday, 29 March 2014

8: Reminiscence and the Idyllic: The Function of Historical Recollection in Basti (Saad Hafeez)

Again the same long journey through the thicket of memories. When I was in Rupnagar -- the remote, mythic era of my life.”

In this work, the novel seamlessly alternates between the past and the present, providing a seemingly coherent continuity in the life of the protagonist as it is placed within the heritage of a larger Muslim movement and history. Conventionally defined, the function of history is to identify events which can spark some sort of learning for the present, so that one doesn't repeat past mistakes. The protagonist, himself, being a history teacher, should be aware of this. However, as reminiscence emerges in this work, we can note that the past is painted as more ideal than real, effectively mythologising the past. The argument presented herein points to the function of historical recollection being a way to identify key psychological traits of Zakir, so as to justify his passiveness and conduct to present events.


Zakir’s childhood village, Rupnagar, is recollected through his adult gaze and is portrayed in his memory as something very integrated and idyllic. This becomes clear in the earlier chapters where he constantly valorizes the space of the village, for instance, when he speaks of the lanterns and the bazaar at night. Clearly, for him, there is a certain harmony in the atavistic setting of Rupnagar: ‘… jab dunya naee naee thi, jab aasmaan taaza tha aur zameen abhi mayli nahi hui thi’. In the face of demonstrations and upheavals in the present, the protagonist elects to sink into his memories and keep musing in the possibility of the lost idyllic. However, his silence and inaction doesn't point to an apathy to the present, rather it points to a specific positioning in history, relative to the crucible of Karbala. For Shias, the idea of interiorization of suffering is very pervasive and this explanation would help us understand his seemingly immoral stance on current events. Instead of directly reacting to present events, he chooses to survive in this morally corrupt universe by drawing on his own memories and inner resources: ‘The more turmoil increases outside, the more I sink into myself. Memories of so many times come to me … My memories are my forest. So where does the forest begin? No, where do I begin?” This last quote strengthens the point that reminiscence on the past is more of a route to self-reflection than reflection on current events and happenings. 

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