“and in the
journey from the cradle to the grave they dream dreams some of which come true
and some of which are frustrated”
This particular quote highlights the narrators attempt to emphasize the problematic distinction between the 'European' and the 'Oriental' figures, yet it presents only a part of the idea of what this similarity implies and where it stems from. “Seasons of Migration to The North” is a novel that
proposes a reversal to the oriental discourse, and by presenting a protagonist
like Mustafa Sa’eed, on the surface Salih takes the reader into the mind of a man
who’s sole purpose in life is becoming one with the ‘North’. But perhaps by
presenting such a reversal, and showing the perspective of the oriental male
who spends his life “conquering” women, Salih is actually turning the reader’s
attention to the fact that the impossibility of the friendship between
colonizer and colonized is not so much a reality because their differences
cannot be overcome, but is more the consequence of similarity between them that
exists in the wake of a post colonial world as a result of the colonial
experience.
In fact the post colonial narrative can be seen to
represent the disfunctionality of the relationship that did exist before the
colonizer had left, the effects of which are deeply entrenched not only into
the life of the oriental (Mustafa Sa’eed) who is on a journey to find his
identity in the north, but is also apparent in the colonial figure, embodied by
the women who are constantly pulled towards the oriental man in an attempt to
identify themselves. In essence the post colonial narrative gives birth to two
self destructive figures who will continuously be pulled towards each other
because their experiences are not as different as they have been thought to be.
And in trying to create such a relationship both are fated to die, the women
committing suicide and mustafa sa’eed drowning in the Nile. Hence the text
introduces a new perspective, where the exilic state is not the consequence of
a lost identity but of the muddle created by a multiplicity of identities that
are impossible to separate. The exilic figure is constantly seen tying himself
to a history, but Salih is able to show that when histories become intertwined
and the colonizer and colonised can no longer separate themselves on the bases
of a history then the exilic state is no longer the experience of an
individual, or that of a particular group of people, but the experience of a
particular era that transcends geography.
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